What to Learn From Francesca Woodman

By Lars - 7 min read

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The American artist was a hugely influential black and white photographer. Here are some lessons you can learn from her work!

Francesca Woodman inspired an entire generation of photographers with her evocative black and white pictures. The photographer – who committed suicide at just 22 – produced only a small body of work, but with remarkably consistent style and focus.

Here we have gathered a selection of photographs taken by EyeEm Community members who – willingly or unwittingly – shot in the style pioneered by Woodman. This collection is our homage to the artist, coupled with lessons you can learn from her.

Soft Light

Francesca Woodman’s photos are taken in black and white, but they don’t rely on a high contrast to appear interesting. Instead, the photographer embraced soft lighting, leading to creamy whites and subtle, grainy gradients. Woodman hardly ever exposed her subjects to direct light or flash. Instead, she relied on available light. You can use a similar optic by shooting in the early mornings or late evenings, when the light naturally fades – or emulate it by filtering the light through a set of curtains on a bright day.

retro styled, young adult, young women, one woman only, old-fashioned

By Bernadeta Kupiec

Behind, Door, Doorknob, Holding, Human Body Part

By faithmichael

window, indoors, one person, full length, home interior

By harao

Be Your Own Subject

Soft light also happens to be the most flattering light, which is great when you’re taking portraits. Francesca Woodman realized that the most readily available model was herself, which is why she appeared quite frequently in her own work. Selfies may have become mainstream, but there is a difference between the casual self-portrait and the more intricate works that happen to involve yourself. The latter aren’t about yourself (and your looks!) but about using a person as prop. Being your own model can also help you learn how best to photograph people – teaching you patience at the same time.

20-24 Years, Book, Casual Clothing, Front View, Hiding

By Emilie Barbier

one person, reflection, glass - material, transparent, real people

By L u n a d i c t a

Layer Up

In photography, layering means composing an image that has different elements in the foreground and background, which adds dimension to the otherwise flat image. Woodman used that technique to obscure her subjects, or to create more interesting compositions. When you’re shooting, try to picture your subject in an indirect way – or even hide parts of it.

 40-44 Years,  Adult,  Adults Only,  Beautiful Woman,  Beauty

By Chiara Boschi

real people, young women, lifestyles, young adult, standing

By Agnes Spaak

 Casual Clothing,  Close-Up,  Cone,  Day,  Hiding

By Anca Asmarandei

Tell Stories

Woodman’s work is characterized by angles, geometric forms, and their contrast with the human body. The photographer relied on this contrast to tell stories: The pictures make a viewer question what was going on at the time and it tells the story of an unusual event. Woodman often used limbs or the torso, consciously omitting the subjects face. This adds a level of abstraction to her images and enhances their poetic quality.

 20-24 Years,  Abuse,  Addiction,  Adult,  Adults Only

By Melissa Fernandes

Arms Outstretched, Balcony, Cable, Casual Clothing, Day

By Jan T.

low section, person, one person, wet, part of

By Alice Chang

Embrace Abstraction

Woodman knew that not showing a clear subject could be more impactful that showing it. Her photos, which already have an abstract quality due to the black and white film, present the viewer with something to interpret rather than just observe. It’s an effect that helps draw a viewer in, and one you can use yourself. Whenever you find yourself in a space that doesn’t lend itself to great photography, use abstraction to turn the unremarkable into the remarkable. Shoot from unusual angles or frame your photos in a way that leaves the subject to the imagination of the viewer.

no people, close-up, black background, outdoors, nature

By Olesia Kovalenko

human leg, low section, barefoot, human body part, day

By Margherita Maniscalco

dog, domestic animals, focus on foreground, front view, growth

By Ea Maples

Be Weird

There’s a great quote by Woodman, which reads:

“Am I in the picture? Am I getting in or out of it? I could be a ghost, an animal or a dead body, not just this girl standing on the corner…?”

Just as she used abstraction to elevate common objects, Francesca Woodman relied on blur, double exposure, and quirky compositions to create memorable photos.

The lesson here is a bigger one than just to do the same: When shooting, try to identify the visual quirks you find interesting. Dare to be weird. Shoot things you don’t usually see, or that the human eye can’t see. Invent the rules that make your photography memorable.

By Claude Thoma

indoors, studio shot, lifestyles, young adult, white background

By Aliss Dicembrino

lifestyles, young adult, young women, indoors, studio shot

By zezn

Header image by Jan T.