Take Ten: A Conversation with Alina Potapenko

By Lars - 5 min read

The Ukrainian photographer talks about the magic of taking pictures – and why she sometimes spends hours shooting the same thing.

Alina Potapenko (@fishta) is a photographer from Ukraine. Her pictures have an uncanny quality: The portraits are odd, the colors slightly unreal, and the overall vision deeply fascinating. We reached out to her with a series of ten questions.

What made you start taking pictures?
I guess it started pretty ordinarily: When I first picked up a camera, I took pictures quite unconsciously. I needed to satisfy my inner sense of beauty. Later I grew enough to see that life is full of absurd, silly, sad, strange, funny, and insignificant things that are beautiful in their simplicity.

What do you mean?
They are real for a moment, but the next second they’re gone. I can’t just let them go, so I shoot them. The best way of explaining is to quote that scene from “American Beauty”: one of the characters filmed a flying plastic bag and says “There is entire life behind things. Sometimes, there’s so much beauty in the world – I feel like I can’t take it, like my heart is just going to cave in.”

These are our three favorite photos out of the ones you have uploaded. Is there a story behind them you could share?

By Alina Potapenko

As my friend Kate (in the photo) says: “If you’re doing a photoshoot with Alina, there’s a 99% chance that there will be a claw in shot.”

By Alina Potapenko

Just another lazy summer day in the countryside. We literally spent the whole evening shooting that log, which I found very photogenic.

By Alina Potapenko

This is a portrait of my soul mate and favorite model: Ganna. She has an unusual beauty. One may get confused by her thoughtful expression: If you don’t know what’s on her mind, she might seem sad. But as soon as you get to know her better, she reveals her personality with a great sense of humor.

Film or digital?
Film. Because you are never 100% sure what you’ll get in the end. Sometimes the results are quite unexpected. Film lends itself better to memory: it’s tangible, nostalgic, special. Digital is more practical. Film is magical.

Where’s home (however you understand the notion)?
As the saying goes, home is where mom is. Every time I visit my parents (who live in another city), I immediately feel peace and relief when I walk through the door.

How important is post-production to you?
Not essential. I edit color balance and make slight light corrections, usually. But to my mind the right light captured during the shot is much more essential than any digital manipulation. That’s another reason why I prefer film to digital: it requires minimal post-production.

Is there a photo on EyeEm you’re the most proud of having sold?

View of woman holding vegetable against wall

By Alina Potapenko

Your dearest photography ritual?
I usually have three cameras with me while shooting: a digital one, a compact film camera and a smartphone. If I really like something, I get obsessed and just keep shooting with all three of them, trying to get the best pic.

Who is your favorite user that you follow on EyeEm?
Can Dagarslani.

If you could have a coffee with a famous photographer who would that be?
Tim Walker or Olivia Bee.

Do you have any unrealized photo dreams? Or projects you are currently working on?
In general, my aim is to capture more people. I have an idea for a project dedicated to the foreign students studying in my native city, Zaporizhzhia. It’s an industrial Ukrainian city with a medical university, and has students from India, Kenya, Libya, Morocco, and other countries. As a native to the city, they always looked pretty exotic to me, somewhat alien in that environment. I would love to tell their story, show their everyday life in Ukraine, the problems they face, and the way they entertain themselves in the Ukrainian reality. I think it’s tough and challenging to live and study in a country with a completely different culture, mentality and way of living.

Looking for more inspiration? Check out our interview with French photographer Olivier Morisse.